Sony fx3。 Sony announces the FX3: Its most compact Cinema Line camera ever is aimed at solo shooters

Sony's FX3 is a compact $3,900 camera for filmmakers

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😇The added internal fan system is the key to keeping it cool. 2 megapixel full-frame back-illuminated CMOS Exmor R sensor and BIONZ XR image processing engine• The majority of the content you consume is either HD or UHD, and that is unlikely to change anytime soon. Sony has clearly thought this through and by making use of their existing XLR adapter module technology they are able to offer users a pretty good solution. 6 OSS lens attached 5 Axis In-Body Image Stabilization The FX3, just like the a7S III utilizes an enhanced 5. The compact and lightweight body design is complemented by multiple accessory threads to facilitate cage-free use. The new model provides, according to sony, outstanding image quality and usability for small scale and one-person shooting. XAVC S-I If you are shooting in HD you can choose from:• Other cameras such as the Canon C70 and the RED KOMODO are already back-ordered in most parts of the world and a lot of the other competing cameras have already been around for quite some time. Cageless Design The body is flat on all four sides and made of strong and light Magnesium Alloy. User-friendly controls• There is only the option to apply a Gamma Display Assist when you are shooting in LOG or HLG. 94p 3840 x 2160p up to 120p LongGOP 4:2:2 10-bit: HD up to 240p H. Although we don't have specific figures, Sony also promises strong low-light autofocus performance. One of the reasons that the Canon C70 and Sony FX6 are a lot bigger than the FX3, is mainly due to them both having an in-built ND system. It feels secure with the two thumbscrews. This is certainly a trend these days with cameras and one that is unlikely to change anytime soon. And so, it can be incredibly small. 5mm mic input If you go into the Quick Audio menu you can control and adjust all four channels of audio. You do need to have the battery in the camera when you do this. It reminds me of using a monitor when in stills mode. Then came the Sigma fp, and just last year, the Canon. 265 encoding for lower bit rates in Long GOP. Based on the A7S III, the FX3 incorporates some features found on the more expensive cinema cameras in a smaller and lighter body. With the added three mounting points make adding an EVF or monitor fairly easy with the right hardware. A solo shooter demands more in terms of autofocus capabilities as well, so the FX3 has been designed to deliver high-end AF capabilities in addition to features to aid manual focus operation. With the a7S III, you get an EVF, with the FX3 you get an audio module. 1 lb Rec Media 2x CFexpress type A cards 1x CFast 2. The enhanced Fast Hybrid AF system has customizable AF transition speeds and sensitivity settings, and also combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. The MI hot shoe can be used to pass audio directly into the camera and supports flash accessories. The FX3 includes Face Detection and Real-time Eye AF, as well. S-Cinetone is my favorite as it has excellent skin tone, and the black levels are not crushed, giving a nice image that is easy to grade if you need to. As I have already alluded to, the FX3 also features a stereo onboard microphone in the body of the camera itself. This is the best color I have got from a Sony mirrorless camera and it has everything to do with S-Cinetone. With its many mounting points, you could attach a dozen of them for running shots. S-Cinetone is the default Picture Profile, or you can use the built-in LUT. That's where the FX6 really messed things up. Leave it BMD to disrupt yet again. The internal structure of the FX3 is made out of magnesium alloy and the camera also features dust and moisture sealing. All three of these cameras are extremely capable tools that can get the job done. The list of MI-compatible accessories is large. 8 attached, the space between the lens and grip is tight. This signal is then recorded as 12-bit ProRes RAW file. The only other cameras are the a7S III and FX6. FX3 Design Credit: Sony The FX3 likely wouldn't exist if it weren't for the Blackmagic Pocket Cinema Camera. 2MP back-illuminated CMOS Exmor R 37. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. Below are some of the options you could use for recording four channels of audio:• Considering the A7S III is already plenty video focused, the FX3 feels like a bit of an odd product in Sony's camera lineup. Electronic variable ND• The FX3 has the same stills camera-style body of the A7S III but is slightly thicker and shorter. By adding an XLR audio module and a cage, you essentially do have an FX3. If you are not recording in XAVC S-I you can use slower rated SD cards. Pull a coin out of your pocket if you feel a need to really get it tight. Its backside-illuminated full-frame sensor has an effective resolution of 10. It also allows you to use touch AF directly on the screen. The FX3 doesn't include built-in LUTs, nor does it have the continuously-variable built-in neutral density filter. Additionally, other AF features have been included and refined in response to feedback from professional users, including AF Transition Speed, AF Subject Shift Sensitivity, intuitive control and AF support when focusing manually. According to Erik, many of the functions cross over when shooting stills. The bigger deal is the continuous internal ND, which is a real perk in shooting in low light. Ultimately, Sony is marketing the FX3 as a compact, cinema-centric camera geared toward solo shooters. The LCD screen can fully articulate and flip into a selfie position without obstruction; however, if an HDMI cable or other ports are used, they will block the view. The thickness is due to the inclusion of a fan that now actively cools the internals during recording, which should allow for the camera to shoot indefinitely even in warmer environments. XAVC S-I XAVC S is a subset format, using many of the superlative techniques and technologies used in XAVC, but it is intended for consumer products and workflows. The FX6 also includes DCI 4K, pure 24p frame rate, 12G-SDI, timecode and its larger size allows for different functionality. I like the ability to adjust the dB level settings as not all microphones have the same sensitivity. The new FX3 is the most compact Cinema Line camera, blending Alpha 7S III-like form with FX6-like cinema performance. Skin tone is very nice and the profile gives you some room to color grade. We'd gladly trade off internal RAW for Sony's low-light performance. Let's take a look to see how it stacks up. 10-bit 4:2:2 Hybrid Log-Gamma HLG is also available in all recording formats. 10-bit 4:2:2 XAVC S-I,16-Bit Raw Output• The Sony FX3 features dual-band 2. All of which are tools that are incredibly useful for some users and not at all interesting to others. Like what we do and want to support Newsshooter? 94p 4:2:2 10-Bit via HDMI: 3840 x 2160p at 60 fps FX3 v C70 SONY FX3 CANON C70 Internal Recording ALL-Intra 4:2:2 10-bit: 3840 x 2160p up to 59. While these can come in handy, I think many will put a cage on it anyway as the options are rather thin. The three standard tripod screws and large recording button on the top show that the FX3 is designed to take accessories like displays, microphones, etc. Could Sony have utilized a traditional rotating ND system instead? On paper, it has at least one feature to beat every competitor. This is a proper shutter setting for 24 fps. Sony menus have improved with recent camera releases, and the FX3 continues with that trend. External monitors, recorders, wireless microphone receivers, the accessory shoe kit cold shoe plate , or other add-ons can be securely attached. A full-frame sensor, amazing low light performance, dynamite autofocus, in-body image stabilization, 4K 120p image capture, and 16-bit RAW over HDMI. Initial thoughts The FX3 is an intriguing if not slightly confusing camera. I am not going to compare every single camera that could be considered competition because we would be here all day. The FX3 uses S Cinetone Color Science like the rest of the Cinema Line; this ensures seamless footage integration with rich color and a professional aesthetic. This is evidenced by the camera's S-Cinetone Picture Profile, internal cooling, XLR handle, cage-free design, tally lights and video control layout. 1MP full-frame backside-illuminated image sensor• The camera sports customizable buttons for assigning 15 controls and up to 140 menu items. Sony claims that this provides consistently accurate, responsive AF tracking, even with fast-moving subjects while maintaining a shallow depth of field. In theory, the rolling shutter performance should be on par with the a7S III and FX6 Now, the biggest downside when utilizing a smaller megapixel 4K sensor is that you can only shoot UHD in full-frame. Considering a lot of users of small-sized cameras like these are going to be doing their own audio, the audio options need to be good. Compact Form for Cage-Free Operation• Other operating features of the FX3 worth noting include an articulated, touchscreen LCD, multiple autofocus options, over 15 stops of dynamic range, and limited rolling shutter. These include compatibility with the new UWP-D series of wireless microphones via Multi-Interface Shoe MI Shoe with digital audio interface. 5 mm Stereo Mic Level Input 1 x 9-Pin GPI, Genlock, RS-232, Timecode Display Fixed LCD Fixed LCD Fixed LCD Fixed LCD ND FILTERS No No Yes No Battery Sony NP-FZ100 Sony L-series Canon BP-A Series Canon BP-9 Series Power 1 x 4-Pin LEMO 1 x Barrel 11. The handle also has two dual full-size XLR inputs, with the ability to record 24-bit 4-channel audio without an external recorder. Button Layout• In a lot of ways, the FX3 is an a7S III in a slightly different body with a handle and an XLR module. Images come from prolific Japanese camera leaker , while the specs were reported by YouTuber. 5 mm Stereo Mic Level Input 1 x Headphone Jack 1 x HDMI D Micro 1 x USB Type-C USB 3. 94p Full HD 1920 x 1080 at 23. ProVideo Coalition will have more info about the model but for now here are the product highlights:• Not having a locking E-mount means you really do need to use lens support for certain larger lenses. Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work• The FX3 supports numerous accessories, including mics, lights, grip, wireless mics and more. By utilizing this smaller megapixel sensor in the FX3, Sony can give you UHD at up to 120p with full pixel readout and no pixel binning. This is a common problem with all flip-out screens if you want to use the IO options on the camera. And that's really the key feature that's going to make the FX3 appealing. 0dB: Standard input level at -60 dBu Suitable for recording with a low-sensitivity microphone while amplifying sounds. The FX3 has a built-in cooling fan that Sony has somehow managed to squeeze into the tiny body of the camera. But if video is going to be your only use case, and if you value features like S-Cinetone and the supplied audio interface then the FX3 might be a better option. 2 MP Full-Frame CMOS Exmor R Sensor• You may be familiar with XAVC and XAVC S, but the new flavors are XAVC, XAVC HS, and XAVC S-I. CineEI mode is something you will not find on the FX3. For remote control, you can use either Imaging Edge Desktop or Imaging Edge Mobile. Built-In Stabilization for Handheld Shooting To guarantee smooth footage, the FX3 boasts active-mode image stabilization, delivering distraction-free, smooth shots while moving. Up to 627 autofocus points when recording video• The worst argument I always hear in regards to resolution is that I am future-proofing my material. If the Sigma fp married the Sony A7, the result would not be much different from the Sony FX3, which looks like a Sony A7RIV without the hump for the electronic viewfinder. What's great about the FX3 is the top handle is included in the box, so if you wanted to support XLR connections there's nothing else to purchase. This is something you need to keep in mind long term, even though I personally think 4K will be fine for many years to come. On drones, rigs, stunts, action shots, hostile environments, aerials, underwater. I have simply listed the specifications in case you want to compare cameras on paper. You can get an equal video signal over either connection. The FX3 features 5-axis optical in-body image stabilisation — highly effective for handheld shooting. If you are a solo operator running two cameras it is nice to be able to see a tally light so that you know the camera is recording. Bionz XR processor• They also add full XLR inputs through a modular top handle, which is a smart move. Sony took that idea and simply made it better in all areas. If you do decide to use the camera without the top handle you can still record audio via the onboard 3. The FX3 can shoot 4K footage with 10-bit 4:2:2 color sampling internally or output 16-bit RAW video over its full-sized HDMI port. One area where competitors like the C70, fp, and FX3 are leaving behind the BMPCC line is the lens mount. As promised and right on time, Sony has announced the brand new. 6x battery runtime as well as USB-PD power option for extended shooting times. Touchscreen Operation Just like the a7S III, the FX3 has the same touchscreen operation available from its LCD screen. Reduced rolling shutter effect• But the form factor is the real winner here, as you'll be able to use it for guerilla-style filmmaking without sacrificing image quality. Sensor The PXW-FX3 uses a full-frame Approx. It is claimed to offer twice the efficiency of XAVC S but with the same level of quality. It comes at a premium compared to the BMPCC 6K Pro, but you get a larger sensor, better autofocus, IBIS, and the ergonomics likely make that price worth it, especially for existing Sony users. The FX3 utilizes the same Sony NP-FZ100 batteries as the a7S III. XAVC S is a lighter codec with Long GOP compression and relatively small recorded file sizes. While I think they have managed to do that, it looks like they squarely stomped on the feet of the a7S III. It has nothing to do with 5-axis in-body image stabilization or anything else. Menu and LCD Screen The menu structure is the same as the new a7s III when in video mode. There is obviously not enough space for both HDMI and SDI, so like it or not, HDMI is probably the better option for the target audience of this camera. kept in natural conditions, with freedom of movement. Sony FX3 Z CAM E2-F6 Canon C70 RED KOMODO Sensor Full-Frame 10. It is more expensive than a BMPCC 6K and 6K Pro, but slightly cheaper than a Panasonic S1H. However, in stills mode, if you press the REC button that does trigger video recording. The true competition for the FX3 is the a7s III and the new BMD Pocket Cinema Camera 6K Pro with internal ND and an optional EVF. The camera also features the following connectivity:• 94p XAVC Intra 422 10-bit Class 300 UHD up to 120p XAVC Intra 422 10-bit Class 300 HD up to 240P XAVC Intra 422 10-bit Class 100 External Recording UHD up to 59. The AF system is also claimed to work really well in low light situations. With the FX3, you will have better autofocus and IBIS performance compared to the fp. Other specs of the FX3:• In a nice touch, you can also use the zoom lever when you have the Clear Image Zoom function enabled on the camera. There is also a menu for 4ch Audio Monitoring that allows you to select the audio channel combination to output to the headphone terminals when the audio channel number is set to 4ch. It really is the one missed feature I wish Sony would have added. If you are planning on using the FX3 in a bigger setup, you'll need a wireless video extender or an HDMI signal booster to get the image to a faraway monitor over HDMI. Get a cup of your favorite beverage while taking it all in. On the bottom is an intake and the exhaust is on the side. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. Like other alpha cameras, the mount sits low on the small body, and with some of the fatter Sony lenses, they can go past the bottom of the camera. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. External RAW recording With patent issues prohibiting internal compressed RAW recording, the FX3 is only capable of recording RAW externally. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. The FX3, just like the FX6 and a7S III, features a next-generation sensor chipset that provides much improved AF with face detection and Eye-AF. Exposure control while shooting video with direct control of iris, shutter speed and ISO. 5 mm Stereo Output 1 x USB Type-C 1 x 2. One of the primary differences is in the design. 5mm input on the body unless you attach the XLR-K3m adapter. Its small size makes it suitable for solo operators, but I do feel that without having built-in ND, an FX6 or C70 makes a lot more sense. Another reason to miss it is how the FX3 outputs the image to an external monitor. 5 axis IBIS — In Body Image Stabilization with Active Mode. Sony Other headline features include in-body stabilization you can combine with an Active software mode for even more shake reduction, dual CFexpress card slots and plenty of mounting points to attach any accessories you might need. 2 Megapixel Full Frame sensor for video. Extraordinarily smooth slow-motion imagery up to 5x at QFHD 3840 x 2160 resolution with autofocus provides new expressive capability. You have to adjust it using the joystick. The supplied XLR handle unit securely attaches to the body via the Multi Interface Shoe without any special tools and provides three additional thread holes for accessories: two on the top and one on the end. Wired LAN via compatible USB-Either adapter 1000BASE-T• Because of the low megapixel count, the sensor readout is extremely fast, and this means that the rolling shutter will be almost non-existent. I reviewed the LEYE so check it out. Create movies with in-camera 4K recording at up to 120 frames per second. There are actually three different standards of CFexpress cards. 1 effective megapixels for stills and the BIONZ XR image processing engine team up to ensure high sensitivity with low noise. With the solo shooter in mind, the FX3 can be used handheld without requiring the use of a gimbal. The BMPCC 6K Pro with the optional viewfinder draws 26W. The FX3 includes a new XLR handle. But unlike with the FX6, which currently can only output RAW over SDI to the Atomos Shogun 7, with the FX3 you can output RAW over HDMI to an Atomos Ninja V. Is the FX3 what the a7S III should have been? I really like this feature as it takes the cables away and gives you several options with existing modules. What would you remove from the FX6 that would make the FX3 different? a7S III• If you have shot with a Sony mirrorless camera before, you will be right at home with the FX3. 97p Full HD 1920 x 1080 at 23. UHD 4:2:2 10-bit internal recording• The FX3 is not unlike the , which is Canon's first cinema camera with an RF mount, in that both are video-specific cameras with mirrorless-like form factors. The camera can utilize wired LAN via a compatible USB adapter and includes a USB Type C Superspeed port in addition to a micro USB terminal. The FX3 is just the third commercially available camera that I know of that can use CFexpress type A cards.。 。

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